Look at the back-cover credits on cd reisssues of the great Blue Note jazz recordings of the late 1950s through the mid 1960s. There you'll see: Butch Warren, bass. His solos and comping are aural textbooks on how to play bass in the hard bop idiom. I particularly appreciate and enjoy his work on Dexter Gordon's Go!
Mr. Warren has not been well for quite some time now, only occasionally playing gigs in the D.C. area.
One afternoon in 2004, I ran into him by chance. He was sitting by himself at Franklins Restaurant and Brewery in Hyattsville, not appearing to be in good shape. He was NOT drinking the pub's beers but was slurping a diet soda. He told me he didn't have his bass anymore. No one at the pub was aware of his career.
But, from Marc Fisher's blog below, I've learned that Mr. Warren had not really lost his bass. Local jazz pianist Peter Edelman kept it for him during difficult times. And that's a wonderful thing. A bassist's bass is his alter ego; I can only imagine the hurt he might feel if it had been lost.
The good news is that Butch Warren is playing again! He has a regular gig with Peter Edelman every Wednesday at Columbia Station in the Adams Morgan of Washington, D.C. I'll be there.
I never made it.
Edward “Butch” Warren, a Washington-born bassist who performed on celebrated albums of the modern jazz era before vanishing almost completely from the music scene because of drug addiction and deteriorating mental health, died Oct. 5 at Holy Cross Hospital in Silver Spring. He was 74.—Washington Post
5 October 2013.
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